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Martin Ott Organ Archive

Martin OttOpus 40Poke Run Presbyterian Church

Apollo, Pennsylvania
Editorial pipe-organ study accompanying Martin Ott Opus 40
Editorial organ study, not a documentary photograph of this installation.
Opus
40
Year
1986
Stops
15
Ranks
20

The archived portrait of Martin Ott Opus 40 at Poke Run Presbyterian Church is unusually spare, but one fact survives: a recital by Martha Foltz is dated July 1987. Its technical line gives 15 stops, 20 ranks, and mechanical action.

01 / 07

The 1986 chapter of Opus 40 at Poke Run Presbyterian Church

Martin Ott Opus 40 was a mechanical organ built in 1986 for Poke Run Presbyterian Church in Apollo, Pennsylvania. The instrument stands at the front of the sanctuary in a red-oak case with an attached keydesk.

For Opus 40, 1986 is the date attached to the original project line. It may denote an order, workshop period, installation, or dedication, but the builder account for Poke Run Presbyterian Church does not say which. The pairing with Poke Run Presbyterian Church in Apollo, Pennsylvania prevents confusion with another instrument. Any current claim needs a later institutional record.

02 / 07

Apollo as the setting for Opus 40

For this project, Poke Run Presbyterian Church in Apollo, Pennsylvania is more than a city label but less than a room survey. It identifies the congregation that commissioned or received the instrument at Poke Run Presbyterian Church. The page for Poke Run Presbyterian Church does not give enough architectural evidence to describe seating, reflective surfaces, organ placement, or measured reverberation.

03 / 07

The recorded scale of Opus 40 at Poke Run Presbyterian Church

The catalogue records 15 stops and 20 ranks for Opus 40. At Poke Run Presbyterian Church in Apollo, Pennsylvania, stops are choices at the console; ranks are rows of pipes that may serve those choices singly or in groups. The Opus 40 figures place the rank total 5 above the stop total. In the Poke Run Presbyterian Church account from Apollo, Pennsylvania, a complete stop list is needed to connect that numerical gap with actual registers. The brief line does not supply division names, pitches, or the individual voices behind the totals recorded for Poke Run Presbyterian Church.

For the Apollo, Pennsylvania project, the line 15 stops | 20 ranks Mechanical action is concise but still valuable. It describes the documented size of Opus 40 without pretending to be a full technical survey. A complete disposition could later connect those totals with manuals, Pedal, couplers, and compound stops. Until then, the figures should guide the scale of the discussion while the missing tonal details remain plainly unresolved.

04 / 07

Action and control in the Apollo project: Opus 40

For Opus 40 at Poke Run Presbyterian Church, a mechanical action carries key movement to the wind valves through physical parts such as trackers and levers. For the Poke Run Presbyterian Church project in Apollo, Pennsylvania, the overview confirms that principle without drawing the linkage used in this organ. In the Poke Run Presbyterian Church account from Apollo, Pennsylvania, key weight, adjustment, repairs, and present feel all require later technical evidence.

05 / 07

Beyond the totals: one clue from Poke Run Presbyterian Church: Opus 40

The archival portrait becomes most useful when it stays specific: the record highlights a front-sanctuary placement and it has a red-oak case. At Poke Run Presbyterian Church in Apollo, Pennsylvania, these details describe an organ made for a church, but they should not be stretched into an acoustic or tonal portrait. The builder account for Poke Run Presbyterian Church does not tell us which choruses, reeds, or accompanimental colours the player relied on. In the Poke Run Presbyterian Church account from Apollo, Pennsylvania, that analysis requires the original specification and a dated account of use. The listed 15-stop, 20-rank scale remains the numerical boundary for this reading.

06 / 07

Where the chronology for Opus 40 falls quiet

Sandra Patterson-Maszgay is named as music director. Martha Foltz played the dedicatory recital on July 12, 1987. The extract describes no consultant, relocation, later alteration, or additional event. Its project history is confined to the front placement, case and keydesk, Patterson-Maszgay's role, and Foltz's dated recital. The source supplies no program for that recital and no later account of the organ in the room.

07 / 07

Photographs and unanswered questions from Apollo: Opus 40

A project-number match exists for 2 Opus 40 image files, including images/040/040_m.jpg. That makes the matched material a better candidate than a generic organ photograph for the Apollo, Pennsylvania project. Within the documented Apollo chapter, their creator and reuse terms are not stated in the available caption text.

The Opus 40 trail stops before a later condition report. A dated stop list or programme from Poke Run Presbyterian Church would add substance without guessing, while a recent institutional statement could establish whether the organ remains in Apollo, Pennsylvania. In the Poke Run Presbyterian Church account from Apollo, Pennsylvania, until then, present access and playing condition are unknown.